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  • No. 1 — “the labor of forgetting”

    No. 1 — “the labor of forgetting”

    Released November 4, 2022: Support our work by ordering on BandCamp

    Artists

    Featured works

    Dante De Silva (b. 1978)

    Shibui—a dirge in memory of my mentor, Deborah Clasquin (2009) for solo piano

    Four Years of Fog (2016) for just-tuned piano

    Ryan MacEvoy McCullough, piano

    Katherine Balch (b. 1991)
    & Katie Ford (b. 1975)

    estrangement (2020) for voice and piano

    Lucy Fitz Gibbon, soprano
    Ryan MacEvoy McCullough, piano

    Linda S. Fitz Gibbon (b. 1958)

    Brainiac (2019), ceramic art featured on cover

    Reviews

    The program so sincerely produced on the labor of forgetting, the debut release from False Azure Records, reminds me of Pauline Oliveros, who once said, “Listening is selecting and interpreting and acting and making decisions.”

    —Tyran Grillo, full review at Sequenza21

    Notes on the album

    Sketches from Four Years of Fog by Dante De Silva (click on the image)

    Recording Details

    Shibui and Four Years of Fog
    Recorded June 30th to July 3rd, 2018, in Barnes Hall Auditorium, Cornell University, Ithaca, NY
    Session producer: Dante De Silva
    Piano technician: Ken Walkup
    Instruments: Shibui—Steinway & Sons “D” Concert Grand, New York, 1908 (“Kovner”), rebuilt by Jim Reeder, 1985, restored by Ken Walkup; Four Years of Fog and Shibui (reprise)—Steinway & Sons “D” Concert Grand, New York, 1958 (“Old Bailey”), restored by Ken Walkup, 2006

    estrangement
    Recorded March 10th, 2022, in Barnes Hall Auditorium, Cornell University, Ithaca, NY
    Session producer: Katherine Balch
    Piano technician: Ken Walkup
    Instrument: Steinway & Sons “D” Concert Grand, New York, 1908 (“Kovner”), rebuilt by Jim Reeder, 1985, restored by Ken Walkup

    Audio engineering, editing, mixing, and mastering by Windowpane Audio

    Acknowledgements

    Deborah Clasquin in memoriam

    Thanks to the following people for making this album possible:

    Michael Brofman and Brooklyn Art Song Society for their work in commissioning estrangement;
    the Cornell Center for Historical Keyboards, which maintains the instruments used in this album;
    Katie Ford, for her beautiful poetry and generous time proof-reading;
    Laurel Gilmer and the administrative staff at the Cornell Music Department for their patient help with scheduling;
    the National Endowment for the Arts for its financial support commissioning estrangement;
    and Ken Walkup, piano technician, who really made these pianos sing.

    Stats for Nerds

    Microphones
    Shibui and Four Years of Fog : Microphone-Parts S12 matched pair (overheads, omni AB), Line Audio CM3 matched pair (piano close, subcardioid ORTF)
    estrangement : Microphone-Parts S12 matched pair (overheads, omni AB), Microphone-Parts SDC matched pair (voice close, cardioid AB), Line Audio CM3 matched pair (piano close, subcardioid ORTF), LOM Audio Uši Pro matched pair (piano keytops, omni AB)

    Preamps/conversion
    Sound Devices MixPre 10T

    Cameras—
    Lumix GH5 mk.II & S5

    Lenses
    Canon FD 50mm f/1.4 S.S.C., Canon FD 80-200mm f/4 L, Olympus 12-40mm f/2.8 Pro

    Non-linear editing platforms
    Reaper 6 & DaVinci Resolve 18

    Post-production plugin suites
    Izotope Neutron 4 (channel strips), Izotope RX9 (audio repair and restoration), FabFilter Pro-R (artificial reverb), Ozone 9 (mastering)

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